WAYWARD BOUND | HAMMARHEAD x MOTO GUZZI LAUNCH PARTY IN NYC

WAYWARD BOUND

The premiere of a custom HHI x Moto Guzzi motorcycle

hammarhead ace hotel moto guzzi

Clear your calendar. This is not to be missed.

If you are in or around NYC this Friday night then come out for Hammarhead IndustriesWayward Bound Launch Party and get up-close and personal at their latest epic bike build for Moto Guzzi. Take a look at the plain Jane Guzzi below and then check out what James Hammarhead and crew can do.

Jan 18, 7-10PM
Liberty Hall @ Ace Hotel, NYC
RSVP @ piaggiogroupamericas.com by Jan 16

See you there.

Hammarhed Industries motorcycle moto guzzi

Moto Guzzi sent the Hammarhead Industries crew this lil’ beauty to play with– come and see the build for yourself this Friday night at the NYC Ace Hotel… –Image by © Ashley Smalley

Here’s what James Hammarhead had to say about the personal significance of this build, and what you can expect to see Friday night…

Continue reading

BANDITS’ ROOST, NYC | AND TO THINK THAT I SAW IT ON MULBERRY STREET

Jacob Riis was born the third of fifteen children on May 3rd, 1849 in Denmark. He was a carpenter by trade when he headed to the United States in 1870. Like a lot of immigrant folks, he was unable to find work when he landed on New York’s hard-scrabble streets, and sought shelter wherever he could– often spending the night sleeping on the floor in temporary police station shelters. Through perseverance and hard work Riis landed a gig with a NYC news bureau in 1873, which eventually led to him becoming a police reporter for the New York Tribune. All too familiar himself with life on the NYC’s mean streets, he made it his personal mission to use his position to become the voice for the city’s suffering poor– especially the children. Jacob Riis strongly believed that the “poor were the victims, rather than the makers, of their fate.”

Manhattan’s Lower East Side, particularly the wretched areas known as Mulberry Bend and Bone Alley were teeming with poverty, violence and disease– “The whole district is a maze of narrow, often unsuspected passage ways—necessarily, for there is scarce a lot that has not two, three, or four tenements upon it, swarming with unwholesome crowds.” Jacob Riis wrote the epic, “How the Other Half Lives, Studies Among the Tenements of New York” published in 1890 (which also featured his iconic photography) to expose the horrible truth.

In 1895, Teddy Roosevelt sought Jacob Riis out, wanting to assist him in his efforts anyway he could. Then the acting President of the Board of Commissioners of the NYPD, Roosevelt asked Riis to personally show him the daily routine of street cops. On their first outing together, they uncovered nine out of ten patrolmen totally absent while on duty. Riis wrote of this, and it got the attention of everyone at the NYPD. The two became great friends, and after becoming President of the United States, Roosevelt said of Riis–

“Recently a man, well qualified to pass judgment, alluded to Mr. Jacob A. Riis as ‘the most useful citizen of New York.’ Those fellow citizens of Mr. Riis who best know his work will be most apt to agree with this statement. The countless evils which lurk in the dark corners of our civic institutions, which stalk abroad in the slums, and have their permanent abode in the crowded tenement houses, have met in Mr. Riis the most formidable opponent ever encountered by them in New York City.”

If it were not for the tireless work of Jacob Riis, the city’s poor may have long suffered with little hope. Riis was eventually successful in having the most crowded and dangerous areas torn down and replaced with new public parks and playgrounds. The infamous Mulberry Bend and Bone Alley areas gave way to Columbus Park, the Hamilton Fish Park and a public swimming pool, respectively.

In his last dying days, Riis recounted to a friend, “Now that I have to fight for almost every breath of air, I am more thankful than ever that I have been instrumental in helping the children of the tenements to obtain fresh air.”

Bandit’s Roost (1888), by Jacob Riis, from “How the Other Half Lives.” Bandit’s Roost, at 59½ Mulberry Street (Mulberry Bend), was the most crime-ridden, dangerous part of all New York City.

Continue reading

SPOKEN LEICA NATIVE NEW YORKER | THE PHOTOGRAPHY OF DANIEL WEISS

Born and raised in Manhattan, and armed with his trusty ol’ Leica, photographer Daniel Weiss chronicles the city that never sleeps with an eye that captures the bits you could easily miss–creating images that are both poetic and sublime.

Image by © Daniel Weiss

 

Image by © Daniel Weiss

Image by © Daniel Weiss

Image by © Daniel Weiss

Continue reading

TSY STYLE HALL OF FAME | ICONIC PHOTOGRAPHER GORDON PARKS

“I had a great sense of curiosity and a great sense of just wanting to achieve.

I just forgot I was black and walked in and asked for a job

and tried to be prepared for what I was asking for.”

–Gordon Parks

~*~

_

Gordon Parks (1912-2006)  — The iconic photographer, artist, director, writer, activist, and musician.

From the desk of Contributing Editor, Eli M. Getson–

During his 93 years, Gordon Parks led an extraordinary life, and bore witness to some of the most amazing events of the 20th century– often chronicling them through the lens of his camera.  Most of us who lived in the 1970s know him as the director of Shaft, the groundbreaking film that featured a black leading man whupping ass, bedding beautiful women– and all without as much as ruffling the collar of his trademark black leather trench coat.

However, Gordon Parks was much more than  Shaft. During his lifetime he was a friend to famous artists, musicians, athletes, politicians, fashion models, actors, and general movers and shakers– he seemed to know everyone who was making history in one way, shape, or form.  Parks also made his mark in photography, literature, film, music, and social activism.  I can also say from experience he was one of the most stylish and charming New Yorkers I have ever had the pleasure of meeting.

Gordon Parks filming “The Learning Tree”, Fort Scott, KS, 1968. — Photograph by Norman E. Tanis.

Continue reading